DOROTHY DEHNER “ANGULAR RHYTHM” INK AND WATERCOLOR, 1951
Dorothy Dehner (1901–1994) was an influential American multidisciplinary artist who worked with drawing, painting, printmaking, and most notably sculpture.
Despite her artistic contributions, Dehner's legacy was overshadowed for many years by her ex-husband, the acclaimed sculptor David Smith. Stifled by their tumultuous relationship, Dehner only fully committed to her practice after divorcing him in 1951. This break was highly fruitful for her output and her reputation in the years following.
After the divorce, Dehner refined her artistic voice and expanded her practice to include printmaking and sculpture. Her new-found independence and renewed ambition led to a pivotal relationship with the esteemed printmaking studio Atelier 17. Working there she formed a close and enduring friendship with Louise Nevelson.
Simultaneously spontaneous and architectural, Dehner's oeuvre resists categorization. Marked intricate linework and structural geometric forms, the artist blends organic abstraction with an innate sense of rhythm and balance.
This impressive work on paper demonstrates Denher's distinct brand of abstraction, that is simultaneously architectural and spontaneous. A monochromatic wash of vermillion floods the composition, intensifying a joyous series of dynamic geometric forms that unfold beneath the surface. The interplay between color and form showcases Dehner's masterful command of spatial tension. Many of Dehner's best works from this period amplify the echo of Cubism in abstract expressionism.
Questions about this piece? Contact us or call +1.416.704.1720
Visit our Toronto gallery on Thursdays or by appointment.
“Angular Rhythm”
USA, 1951
Ink and watercolor on paper
Signed and dated lower left
20.5"H 15.75"W (work)
25"H 20.25"W (framed)
Very good condition
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DOROTHY DEHNER “ANGULAR RHYTHM” INK AND WATERCOLOR, 1951
Dorothy Dehner (1901–1994) was an influential American multidisciplinary artist who worked with drawing, painting, printmaking, and most notably sculpture.
Despite her artistic contributions, Dehner's legacy was overshadowed for many years by her ex-husband, the acclaimed sculptor David Smith. Stifled by their tumultuous relationship, Dehner only fully committed to her practice after divorcing him in 1951. This break was highly fruitful for her output and her reputation in the years following.
After the divorce, Dehner refined her artistic voice and expanded her practice to include printmaking and sculpture. Her new-found independence and renewed ambition led to a pivotal relationship with the esteemed printmaking studio Atelier 17. Working there she formed a close and enduring friendship with Louise Nevelson.
Simultaneously spontaneous and architectural, Dehner's oeuvre resists categorization. Marked intricate linework and structural geometric forms, the artist blends organic abstraction with an innate sense of rhythm and balance.
This impressive work on paper demonstrates Denher's distinct brand of abstraction, that is simultaneously architectural and spontaneous. A monochromatic wash of vermillion floods the composition, intensifying a joyous series of dynamic geometric forms that unfold beneath the surface. The interplay between color and form showcases Dehner's masterful command of spatial tension. Many of Dehner's best works from this period amplify the echo of Cubism in abstract expressionism.
Questions about this piece? Contact us or call +1.416.704.1720
Visit our Toronto gallery on Thursdays or by appointment.
“Angular Rhythm”
USA, 1951
Ink and watercolor on paper
Signed and dated lower left
20.5"H 15.75"W (work)
25"H 20.25"W (framed)
Very good condition
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Dorothy Dehner (1901–1994) was an influential American multidisciplinary artist who worked with drawing, painting, printmaking, and most notably sculpture.
Despite her artistic contributions, Dehner's legacy was overshadowed for many years by her ex-husband, the acclaimed sculptor David Smith. Stifled by their tumultuous relationship, Dehner only fully committed to her practice after divorcing him in 1951. This break was highly fruitful for her output and her reputation in the years following.
After the divorce, Dehner refined her artistic voice and expanded her practice to include printmaking and sculpture. Her new-found independence and renewed ambition led to a pivotal relationship with the esteemed printmaking studio Atelier 17. Working there she formed a close and enduring friendship with Louise Nevelson.
Simultaneously spontaneous and architectural, Dehner's oeuvre resists categorization. Marked intricate linework and structural geometric forms, the artist blends organic abstraction with an innate sense of rhythm and balance.
This impressive work on paper demonstrates Denher's distinct brand of abstraction, that is simultaneously architectural and spontaneous. A monochromatic wash of vermillion floods the composition, intensifying a joyous series of dynamic geometric forms that unfold beneath the surface. The interplay between color and form showcases Dehner's masterful command of spatial tension. Many of Dehner's best works from this period amplify the echo of Cubism in abstract expressionism.
Questions about this piece? Contact us or call +1.416.704.1720
Visit our Toronto gallery on Thursdays or by appointment.
“Angular Rhythm”
USA, 1951
Ink and watercolor on paper
Signed and dated lower left
20.5"H 15.75"W (work)
25"H 20.25"W (framed)
Very good condition
